BBC Three commissions adaptation of Akala’s bestseller ‘Natives’ from Immovable and Greenacre Films

The BBC has commissioned a new documentary series from BAFTA and MOBO award-winning hip-hop artist, bestselling author and social entrepreneur Akala, entitled Akala: Race, Class and Empire (w/t). 

Inspired by his bestselling book, Natives: Race and Class in the Ruins of Empire, the series will combine the story of Akala’s own personal journey of self-discovery with an immersive exploration of issues of race, class and empire and how they affect the lives of young people today.

Akala says: “When I was writing Natives, I wanted to try and show how race, class and power dynamics impact the lives of everyday people – these issues affect us all in complicated and chaotic ways, which is why I wanted to contextualise my life and my experiences with the history of Britain and the British Empire that shapes the world we live in today.  My ambition is to do something similar with this TV series. This is going to be a bit of an epic journey for me . . . exploring this and fresh ideas further with audiences globally.”

Fiona Campbell, Controller, BBC Three, says: “This landmark series promises to dispel myths and common misconceptions around race, class and empire in a digestible manner. Akala is a huge talent and a proven success in a multitude of areas and I couldn’t be happier that we will be bringing this vital series to the BBC Three audience.”

Nadine Marsh-Edwards of Greenacre Films says: “Amanda and I founded Greenacre with a mission to showcase diverse stories to a global audience – so this truly is a dream project for us. In Natives, Akala wrote with such insight and eloquence about the pervasive impact of race, class and power dynamics on the lives of everyday British people, so we are delighted to be partnering with him and with Immovable on what we believe will be a landmark series.”

Akala’s interviews, encounters, and unique insight will reveal how race, class and power dynamics continue to shape social policy and life opportunities in the UK.  He will explore how they impact the daily lives and aspirations of working class and young black British people today.

Akala will meet those at the centre of these experiences and will question experts, policy makers and opinion formers, and will also meet those who are bucking the trend and making positive changes.

Akala: Race, Class and Empire (w/t) was commissioned by Fiona Campbell, Controller BBC Three and Clare Sillery, Head of Commissioning, Documentaries, History and Religion. It is being produced by Akala’s production company Immovable and long-time producing partner Greenacre Films. The Executive Producers are Chanelle Newman of Immovable Limited with Nadine Marsh-Edwards and Amanda Jenks of Greenacre Films. The BBC Commissioning Editor is Carl Callam.

Image © Paul Husband

Cath Kidston launches brand new Moomin collaboration for summer 2021

Beloved British lifestyle brand Cath Kidston has partnered with Moomin Characters Ltd to launch a beautiful, nature inspired Moomin range for summer 2021, refreshing two of its most-loved archive prints – linen sprig and mushrooms – with bright, fun colours for an uplifting collaboration that celebrates love and looking after one another.

The product range includes fashion for both adults and children – from pretty print dresses and pyjamas to Breton tops and embroidered shirts – as well as a broad selection of rucksacks, tote bags and accessories. Stationery, water bottles, travel cups, and lunch boxes will all be available, as well as beakers and plates for children.

The colour palette for the collection is a summery yellow and pink, and the main characters featured are Moomintroll, Moominmamma, Snorkmaiden and Little My. The range has a strong floral theme, with characters depicted gardening, wearing traditional Scandinavian flower crowns, and enjoying meadows full of bright blooms.

Cath Kidston’s Creative Director, Holly Marler, said: “Nature was such an important inspiration to Moomin creator Tove Jansson – her illustrations are full of magical flowers, fascinating plants, and mysterious forests. We’re delighted to present this collection which takes its cue from Tove’s love of all things floral to celebrate summertime in bright, blooming colours.”

The price range of the collection begins at £7 for a Cath Kidston x Moomin pen and goes up to £75 for a patterned sleeveless midi shirt dress.

The Cath Kidston x Moomin range will be available to purchase from Cath Kidston 180 Piccadilly and cathkidston.com from 21st June.

We’re hiring: Campaigns Director

Campaigns Director – permanent, combined home and office based role

Salary – £ competitive

Are you passionate about culture and entertainment? Have you got a track record in comms? Riot Communications is seeking an enthusiastic, energetic and experienced communications professional to be a part of our team.

About Riot Communications:

Riot specialises in culture and entertainment PR because, like our clients, we want to make a positive impact in the world. We are purpose and integrity driven: we passionately believe that both culture and entertainment help promote empathy, creativity, respect for others and joy. We are guided by the four principles of the Riot ethos: intelligence, passion, collaboration and disruption, which drives everything we do: from the clients we choose to work with, how we deliver our work and who we hire.

We work with some of the best creatives in the world – writers, artists, actors and visionaries. Clients include Penguin Random House, Aardman, Mammoth Screen, DeepMind, Moomin Characters, The Astrid Lindgren Company, London Review of Books, and the Royal Society. Recent work includes: hosting A-list talent such as Jennifer Saunders, Taron Egerton and Rosamund Pike at the world premiere of Moominvalley in Finland; securing Stormzy for the annual #PenguinPresents showcase at the London Palladium; masterminding the launch of the new book by the legendary Philip Pullman; getting more kids into science promoting the annual Christmas Lectures on the BBC; and finding the most exciting new fiction voice of the year.

We are an equal opportunities employer. We actively support BME PR Pros, the Taylor Bennett Foundation and Women in PR. We welcome a diverse pool of candidates and are committed to a diverse workforce.

About the role:

You will be responsible for planning and implementing creative PR campaigns of exceptional quality that are in line with our agency ethos. You will have experience in running integrated communications campaigns across PR and social media. You will play a key part in providing the high quality, strategic consultancy that our clients depend on, including brand management, crisis comms, media relations and reputation management. You will work directly with some of the best creatives in the world – writers, artists, actors and visionaries. In turn, you will be part of a team of highly skilled colleagues, in a supportive environment with emphasis on your personal training and career development. As part of a small, growing company, you will be exposed to a 360-degree view of what it takes to build a successful agency.

Key responsibilities:

  • Lead and project manage campaigns independently and as part of a team, delegating as required
  • Senior day-to-day contact for clients
  • Delivering campaigns autonomously
  • Develop creative and engaging social media strategies
  • Pitch our clients and their work succinctly and creatively leading to demonstrable high-quality coverage
  • Coach your team and identify training opportunities to maximise potential
  • Create bespoke, strategic and creative publicity campaigns for specific projects, identifying media angles and media targets
  • Produce scopes of work, budget and time management with clients
  • Liaise directly with clients and manage your own clients
  • Liaise directly with and manage talent
  • Organise and attend regular journalist/influencer meetings, building, nurturing and sustaining media and influencer contacts
  • Organise and implement events
  • Help to generate and participate in new business activities
  • Manage agency processes, systems and procedures
  • Ensure campaigns are resourced effectively and are on budget

You will have at least five years’ of public relations experience, either in-house or at an agency. You will have a clear idea of why you work in this industry and what you bring to it. You will be highly motivated and get things done before being asked; be a passionate, curious and solutions-oriented individual; have exceptional attention to detail; have outstanding multi-tasking skills; be super organised and dependable and have a proactive, can-do approach. You will be an exceptional communicator in all mediums – writing clear, creative copy is vital, as is a natural social ability on the phone and in person. You will have experience of effectively delegating to junior team members. As part of an ambitious and growing company, your entrepreneurial flair to spot creative and commercial opportunities will be advantageous.

Essential Skills:

  • Media relations
  • Talent and client management
  • Copywriting skills
  • Project management
  • Events management
  • Delegation skills
  • Negotiation skills
  • Social media content implementation and management
  • Strategic planning
  • Excellent command of written and oral English

Essential Criteria:

  • A minimum of five years’ publicity experience either in-house or at an agency
  • Experience leading, managing and inspiring a team
  • Experience leading and managing high-profile campaigns autonomously
  • Proven project and time management skills.
  • Experience creating and implementing creative digital PR campaigns
  • Exceptional media relations skills and a highly developed book of contacts
  • Talent, event and client management experience
  • Outstanding presentation skills
  • Negotiation skills
  • Copywriting skills
  • Delegation skills
  • Excellent command of written and oral English

The selection process:

We are seeking creative individuals with an ambition to succeed and develop in the PR industry. Your enthusiasm for working at Riot Communications, your flair, can-do attitude and strong work ethic will be evident in your application. You will have at least five years’ experience in a public relations role, either in-house or in an agency.

Initial interviews will take place online. Only candidates invited to interview will receive a reply.

To apply please send us your CV, salary expectation and a short covering letter to info@riotcommunications.com. Please include ‘Application for Campaigns Director’ in the subject header.

Deadline for applications is 5pm, Wednesday 16th June 2021.

Summary of main terms and conditions:

Job title:          Campaigns Director

Location:         Riot Communications, Studio 113, The Pill Box, 115 Coventry Road, Bethnal Green, London, E2 6GG. Currently working from home.

Hours:              Full time 9.30am to 5.30pm, Monday to Friday

Holiday:           25 days plus bank holidays

Desmond Elliott Prize shortlist characterised by “invention, playfulness and above all, joy”

The National Centre for Writing has today announced the three titles shortlisted for the 2021 Desmond Elliott Prize. The Manningtree Witches by A. K. Blakemore, little scratch by Rebecca Watson and The Liar’s Dictionary by Eley Williams are all in the running to win the £10,000 prize and be named the year’s best first novel from across the UK and Ireland.

All three titles on the shortlist explore themes of self-discovery and language, as well as the nuances of British history and culture, through the lens of female experience.

Chairing the panel of judges for 2021 is former Desmond Elliott Prize winner Lisa McInerney, who is joined by journalist and author Chitra Ramaswamy and book reviewer and broadcaster Simon Savidge. Collectively the three judges are tasked with deciding which title to crown as the best first novel of the last 12 months.

Of the shortlist, Lisa McInerney said:Chitra, Simon and I are delighted to announce a shortlist we feel is characterised by invention, playfulness and above all, joy. Each of these books stood out not only because of their writers’ distinctive voices, but because they feel vital in the way great literature should: defiant in theme and tone, curious, and utterly lovable.”

K. Blakemore’s debut novel, The Manningtree Witches, is a first-person narrative that plunges readers into the fever of the English witch trials of the 17th century. The fatherless and husbandless Rebecca West is barely tolerated by the affluent villagers in Manningtree, which has been depleted of men since the wars between the Roundheads and the Cavaliers began. Then newcomer Matthew Hopkins, a mysterious, pious figure dressed from head to toe in black, takes over The Thorn Inn and begins to ask questions about the women of the margins. About the novel, Lisa McInerney said: “A.K. Blakemore’s The Manningtree Witches thrills with electric sentences, thorny characters and an original take on a real historical horror. But more again; it is startlingly empathetic, stirring and certain from the first page.”

In little scratch Rebecca Watson tells the story of a day in the life of an unnamed woman processing recent sexual violence. Exploring the coexistence of monotony with our waking lives, the protagonist relays what it takes to get through the tasks of daily life while working through this trauma. Lisa McInerney said: “Rebecca Watson wields the eccentricities of little scratch with conviction, tackling a dark subject — trauma — with unexpected and complex lightness, even including moments of visceral happiness that felt revolutionary to us.”

Rounding off the shortlist is The Liar’s Dictionary by Eley Williams, which follows a character who aims to discover the secret to living a meaningful life through words. It is a story of two lexicographers – Peter Winceworth who penned fictitious entries, known as mountweazels, in Swansby’s New Encyclopaedic Dictionary in 1899, and young intern Mallory who has to uncover these mountweazels before the dictionary can be digitised for modern readers. Lisa McInerney said: “Eley Williams imbues The Liar’s Dictionary with an irresistible passion for words and her canny understanding of language’s subversive potential, and has this current run alongside an equally delightful, equally compelling love story.”

The Early Career Awards portfolio also includes the University of East Anglia (UEA) New Forms Award, worth £4,000, for an innovative and daring new voice in fiction, and the Laura Kinsella Fellowship, also worth £4,000, to recognise an exceptional writer who has experienced limiting circumstances. The shortlistees for the UEA New Forms Award are I.R. Franklin, Charlotte Geater and James Wilkes. The shortlistees for the Laura Kinsella Fellowship are Maritsa Farah Baksh, Harminder Kaur and Annie Walmsley.

Peggy Hughes, Programme Director at the National Centre for Writing, said: “We’re delighted to reveal the shortlisted names for the Desmond Elliott Prize, the Laura Kinsella Fellowship and the UEA New Forms Award: a hugely talented, innovative and exciting set of writers.  It is no easy task for our judges to whittle the longlists down to shortlists of three and we very much enjoyed hearing Lisa, Chitra and Simon’s thoughts on these captivating and thought-provoking titles.”

The winners of all three awards will be announced on 1st July, and all will benefit from a tailored programme of support from the National Centre for Writing, supported by Arts Council England.

Berlin-based journalist Trish Lorenz wins $100,000 Nine Dots Prize

Berlin-based journalist Trish Lorenz has been announced as the winner of the 2021/2022 Nine Dots Prize, receiving US$100,000 and a book deal with Cambridge University Press for her ‘compelling and well-evidenced’ response to the question ‘What does it mean to be young in an ageing world?’

The Nine Dots Prize is a prize for a book that has not yet been written. Every two years, its Board sets a question and invites people to respond with a 3,000-word essay and a book proposal. The winner receives US$100,000, which enables them to spend time researching, developing their ideas, and turning their essay response into a full-length book which is published by Cambridge University Press.

Nearly 700 potential books were submitted in response to the 2021/2022 question, from 92 different countries around the world. They were judged anonymously by the Prize’s twelve-strong Board of leading academics, journalists and thinkers.

Lorenz’s winning essay argued that no question of what it means to be young in the 21st century should overlook the significant youth populations of sub-Saharan African countries including Nigeria, Ghana, Kenya, Rwanda, and Ethiopia. Focusing on Nigeria – one of the youngest countries in the world, where more than 42% of the population is under 14 years old – as a case study, she proposes to conduct in-depth interviews and discussions with the youth population to explore the following topics:

  • The role urbanisation is playing in defining this generation, and how this generation is in turn redefining the notion of an African city
  • The emergence of a distinct generational identity across music, fashion, design, art, and culture
  • How this generation is employing technological solutions to become self-sufficient and solve pan-African and global issues
  • The discrepancy between the average age of the population and the age of its leaders, who are amongst the oldest in the world
  • The activists challenging traditional societal norms and carving out a new vision of what it means to be African

Chair of the Nine Dots Prize Board, Professor in Greek Literature and Culture, and Fellow of King’s College, Cambridge, Professor Simon Goldhill said: “The Nine Dot Prize questions allow entrants to define the terms for themselves, so that they can approach the question in the way they feel is most interesting. The Board was thoroughly convinced by Trish’s compelling and well-evidenced argument that the 2021/2022 question could only be answered in this way, and by the authenticity and rigour of her approach. We very much look forward to reading the book she will now write on the topic.”

Lorenz has been a journalist for more than 15 years. She is a regular contributor to titles including The Guardian, The Financial Times and The Telegraph, among others, and her reporting has included covering stories in Senegal, Mali and Burkina Faso. Formerly a design columnist at The Independent and the Lisbon correspondent for Monocle magazine, she covers subjects ranging from design, art and culture to travel, politics and human interest. She moved to Berlin in early 2020. Prior to that she lived in Lisbon for eight years, working as a correspondent in Portugal and the Portuguese speaking world, a role that involved travel and reporting on African Portuguese speaking countries such as Cape Verde.

Lorenz said: “I am very excited to have been chosen as this year’s winner. The topic is a subject that’s close to my heart – in my travels to African countries I’ve always been struck by the energy, commitment and positivity of the young people I’ve met. I’m very happy that the prize will give me a chance to learn more about some of their lives, achievements and ambitions and to share their stories more widely across the world.”

As part of the prize win, Lorenz is invited to spend a term at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), Cambridge University. Her book will be published by Cambridge University Press in May 2022 in a variety of formats, including open access, meaning the book can be downloaded free of charge.

Waltham Forest to host year-long celebration of Moomin creator Tove Jansson, opening June 2021 with exhibition and outdoor trail

Walthamstow Wetlands and the William Morris Gallery are pleased to announce a unique collaboration that will see them host a year-long celebration of the Finnish artist Tove Jansson (1914-2001), starting with an enchanting indoor exhibition and outdoor trail opening to the public in June 2021 at Walthamstow Wetlands. 

Known to many as the creator of the much-loved Moomins, Jansson was a painter, cartoonist, satirist, writer and a ‘genius’ (Philip Pullman). The project is supported by Jansson’s family and estate.

The Woman Who Fell In Love With An Island will draw on the parallels between the island of Klovharun in the Finnish archipelago, where Tove Jansson spent her summers immersed in nature, and the scenery at Walthamstow Wetlands which is Europe’s largest urban wetlands and has eight islands of its own.

Visitors to the Wetlands will be able to enjoy:

  • an exhibition about Tove Jansson’s island home and the inspiration she took from nature, featuring beautifully rendered and displayed facsimiles of photographs taken of Jansson on Klovharun, quotes, and her own work including her nature studies and descriptions of birds 
  • a family trail with an interactive map
  • a unique downloadable audio piece from multi-instrumentalist and composer Erland Cooper, which includes field recordings from Klovharun and a new reading of Jansson’s essay ‘The Island’ by her niece Sophia Janssson

Erland Cooper said: “Tove Jansson was an inspirational creator and cultural icon. To be able to score an exhibition and retrospective of her work is a great honour. I have a fondness for London’s Walthamstow Wetlands and so to try and transport a listener through that world and into hers, over to the tiny island and cabin on her remote, treeless Klovharun where she created a timeless body of work, is a joy. She seemed like a child of nature and I’ve tried to bring that gentleness into a score to support this exhibition. To me it feels almost like a soundwalk through her creative world, across the seas and back again into a city where local sounds of birds may interact freely with those of the score itself. She seemed to have such grace and affection towards her surroundings, and I hope this meditative score touches on just a little bit on her magic.”

The Woman Who Fell In Love With An Island will run at Walthamstow Wetlands from June 2021 until January 2022.

It will be followed by a second exhibition which will open at the William Morris Gallery in 2022 (date tbc). This landmark exhibition will bring together personal objects, photographs and archival material to tell the story of Jansson’s life and development as an artist through the lens of her deep affinity with nature, which is something that she shared with William Morris. The exhibition will invite visitors to consider Jansson’s most famous creations – the Moomins – as creatures in touch with the environment and connected to nature in a powerful way.

The year-long celebrations are being curated by Alison Williams and Mhairi Muncaster on behalf of the William Morris Gallery. 

Alison Williams said: “We are delighted to bring Tove’s island, the inspiration behind the Moomins, all the way from the Baltic Sea to London. Walthamstow Wetlands Nature Reserve is a very special place – it has the same conservation status as the Amazon and the Nile, right here in Walthamstow! These exhibitions will explore how island life, the weather and an ever-changing landscape informed Jansson’s work, which still captures the imaginations of children and adults alike, and share some thoughts on what we can learn from the Moomins when it comes to ecology, conservation and the climate crisis.”

“There are more similarities between Tove’s archipelago and our Wetlands than you might think – from the islands and their rich ecosystems to the fact that Finland and Walthamstow both have a history of pioneering social progress. After a year filled with challenges, we’re looking forward to safely welcoming visitors to a pair of exhibitions that will inspire, delight and offer new ways of looking at the natural world. And you don’t have to be a visitor to enjoy Erland and Sophia’s piece – fans from all around the world will be able to download it and enjoy the magic of the island wherever they are,” added Mhairi Muncaster. 

Leah McNally, Director of Strategic Projects & Engagement at London Wildlife Trust, said: “London Wildlife Trust is delighted to host ‘The Woman Who Fell In Love With An Island’ exhibition and outdoor trail at Walthamstow Wetlands, we can’t wait for visitors to explore and experience the new show on site, learning more about Tove Jansson’s love of nature and linking that to conserving London’s nature. Walthamstow Wetlands is a special place, designated as a site of Site of Special Scientific Interest (SSSI), a Special Protection Area (SPA) and internationally designated as a Ramsar site, as well as being an operational Thames Water reservoir.”

Representing Wales: Developing Writers of Colour: “Much needed intervention” to champion diverse voices within Wales’ literary culture launched by Literature Wales

New professional development programme addresses “historic lack of representation” to create a diverse writing culture that “flies the flag for Wales’ varied communities”

Literature Wales, the national company for the development of literature, launches its first ever professional development programme for writers of colour today, Tuesday 27 April 2021. Developed to improve representation within the sector, Representing Wales: Developing Writers of Colour is an important step in Literature Wales’ efforts to transform the country’s literary culture into one that is truly reflective of Wales’ diverse communities and to establish a pipeline of diverse Welsh talent that will be recognised across the UK and beyond. 

The 12-month pilot programme, funded by the National Lottery through the Arts Council of Wales, will provide development opportunities for those looking to write professionally across literature, playwriting and screenwriting. It has been designed in consultation with communities, writers and consultants from Literature Wales’ extensive networks to address existing barriers within the sector. It will initially support 12 writers in developing their work through financial assistance and mentoring, as well as by demystifying the writing profession and providing networking opportunities and masterclasses with established writers and commissioners. 

The launch of the programme comes in the wake of major reform to the Welsh Curriculum, following the acceptance by the Welsh Government of all recommendations from a landmark report by Professor Charlotte Williams OBE, addressing racial inequality in the Welsh education system and setting out ways to improve the teaching of themes and experiences relating to Black, Asian and Minority Ethnic communities. It also follows the Arts Council of Wales’ recent appointment of an Agent for Change, a new role created to identify and call out barriers that prevent fairness and inclusion, lead a process of cultural change within the Arts Council itself and work to influence the transformation of opportunities across the wider cultural sector. 

The first cohort of writers were selected by a panel of five industry representatives, chaired by author and academic Sandeep Parmar and including: President of the National Eisteddfod Court, Ashok Ahir; poet, performer and novelist, Patience Agbabi; writer, artist and editor, Sadia Pineda Hameed, and literary agent Natalie Jerome.  

Lleucu Siencyn, Chief Executive, Literature Wales, says: 

“For too long the teaching and advancement of our literary culture, in both languages, has been homogeneous and not truly reflective of the range of voices and experiences within Wales.  Amazing individuals and grass-roots organisations in Wales have worked extremely hard to ensure real progress in recent years, but we must do more to platform and promote the exciting diverse talent we have so we can be proud of a vibrant writing culture that flies the flag for Wales’ varied communities. We are very fortunate to have a rich variety of writers in Wales, telling our own stories in our own languages. The historic lack of representation is changing. This important new programme will shine a light on exceptional, diverse voices representing the best of modern Welsh culture, and each one has the potential to transform our culture for the next generation.” 

Sandeep Parmar, Chair of the assessment panel and Professor of English Literature at the University of Liverpool, says:

“This programme is a much-needed intervention aimed at opening out national and regional literature to new, and newly-vital voices. Myself and fellow panellists were overcome by the vision of these writers – the ways they point us forward to another fuller canon. Their success proves that Wales harbours immensely talented writers of colour who are more than worthy of support and indeed deserve celebration. The complexities of their work, of their handling of Welsh language, culture, landscape, heritage, and all of the diversity of Wales is hugely inspiring.”

Phil George, Chair, Arts Council of Wales, said: 

“If we are serious about seeing a fairer and more equal Wales then we have to do more than pay lip service to improving cultural diversity. It is vitally important to open up opportunities for talent to develop and programmes such as this one give under-represented writers a platform to express and develop their creativity and to present readers with poetry and prose that will stimulate, challenge and entertain.”

Applicants to the scheme were asked to share an example of their best creative writing and were assessed based on the quality and potential of the writing submitted, the originality and freshness of ideas and voice demonstrated in the work, and the suitability of the programme for the career stage of individual applicants. 

Aged between 21 and 61 and based in Wales, the first cohort of writers are at various stages of their careers and include: teacher Marvin Thompson, who recently took first place in The Poetry Society’s 2020 National Poetry Competition and is looking to deepen his understanding of Caribbean poetics in a Welsh context; BAFTA Children’s TV award-winning performer Emily Burnett, who is looking to move into scriptwriting, and Carl Connikie, a former Intelligence Analyst for Gwent Police who is keen to pursue a move into documentary writing, inspired by his photography-based interview series about the Windrush Generation in Newport.  The writers are committed to producing at least one piece of content, or story, which can be shared publicly to communicate their experience of the programme. They will use the year to work towards three ambitions that are bespoke to them. Some aim to complete works in progress for publications, some wish to gain a deeper understanding of the literary and publishing industries and others hope the programme will develop their confidence to see themselves as the writers of tomorrow. 

Representation and equality are key strategic priorities for Literature Wales, which has invested in writers of colour, at all career stages, to deliver targeted and authentic change. This pilot programme will build on the success of other schemes including: Platforming Under-represented Writers: A funding scheme that offered the right support at the right time to empower and nurture new voices to create a culture of risk-taking and artist innovation; and The Rising Stars Wales Awards: an initiative to identify talented children’s poets from Black, Asian and Minority Ethnic backgrounds based in Wales. Alex Wharton, the winner of the 2020 Award, received a publishing deal as a result of the award becoming the first ever poet of colour in Wales to publish a poetry anthology for children. 

To deliver the programme, Literature Wales is collaborating with organisations and individuals from across the arts and literature sector in Wales and the UK, including Creative Access, Lucent Dreaming, Ledbury Critics Programme, Black History Wales, Poetry Wales, S4C, Race Council Cymru, Lumin Press and Speaking Volumes. Further partners will be announced and included as the programme develops throughout the year. 

Matt Haig hires Riot for personal PR brief

Matt Haig (c) Kan Lailey

International bestselling author Matt Haig has appointed Riot Communications to manage his personal PR.

2021 is a particularly exciting year for Haig. Hot on the heels of the success of The Midnight Library comes the eagerly anticipated The Comfort Book. Published by Canongate in July, it’s been described as a ‘collection of little islands of hope’, written by the author during the past year. It follows Haig’s non-fiction hits Reasons to Stay Alive and Notes on a Nervous Planet and features his trademark mix of philosophy, memoir and self-reflection, building on the wisdom of philosophers and survivors through the ages, from Marcus Aurelius to Nellie Bly, Emily Dickinson to James Baldwin.

A Mouse Called Miika – a spin-off adventure story from a favourite character in A Boy Called Christmas – will be published by Canongate in October, before the global release of the movie adaptation of A Boy Called Christmas in the run up to Christmas. Co-written and directed by Academy Award nominee Gil Kenan (Monster House), A Boy Called Christmas features an all-star cast – including Maggie Smith, Jim Broadbent, Sally Hawkins, Toby Jones, Kristen Wiig and Stephen Merchant – and will be released in cinemas by StudioCanal and on Sky Cinema and NOW TV in the UK & Ireland, whilst Netflix will release in the rest of the world.

Riot will work closely with Haig’s agents, as well as UK and international partners across publishing, film and TV, managing his media and event appearances.

Preena Gadher, Riot MD said: “I’m hugely excited to be working with Matt again, over 10 years after we helped him and his publisher Canongate launch one of his early novels for young adults, The Radleys. Matt was one of the first authors we worked with when we set up the agency and at the time, we were both at the start of new adventures and got on well. Since then, Matt’s career has gone stratospheric, and I’m delighted that we have the opportunity to now work together again.”

Matt Haig said: “It’s so comforting to feel in safe hands with a company who understand you as a client. They are great at having an intelligent approach to the media rather than having a yes to everything attitude.”

Image credit: Kan Lailey

Debuts from independent presses celebrated on Desmond Elliott Prize longlist 2021

The National Centre for Writing (NCW) has today announced the 10-strong longlist for the £10,000 Desmond Elliott Prize, which will be awarded to the most outstanding first novel of the past 12 months. 

The Prize – which is presented in the name of the late, acclaimed literary agent and publisher Desmond Elliott – has longlisted six titles from independent publishers, including Faber, Granta Books, Saraband, Scribe, and Tramp Press. Crowdfunding publisher Unbound makes the longlist for the first time this year, with Crow Court by Andy Charman. The longlist also features strong contenders from Orion, Little Brown, and Penguin Random House imprints Viking and William Heinemann.

The 2021 Desmond Elliott Prize longlist in full (alphabetically by author surname):

  • The Manningtree Witches by A. K. Blakemore – Granta Books
  • Crow Court by Andy Charman – Unbound
  • Exciting Times by Naoise Dolan – Weidenfeld & Nicolson/Orion Publishing Group
  • How We Are Translated by Jessica Gaitán Johannesson – Scribe
  • Rainbow Milk by Paul Mendez – Dialogue Books/Little Brown Book Group
  • Castles from Cobwebs by J.A. Mensah – Saraband
  • Open Water by Caleb Azumah Nelson – Viking/Penguin Random House
  • A Ghost in the Throat by Doireann Ní Ghríofa – Tramp Press
  • little scratch by Rebecca Watson – Faber
  • The Liar’s Dictionary by Eley Williams – William Heinemann/Penguin Random House

The longlist features two works of historical fiction: Andy Charman’s Crow Court, which chronicles the lives of the residents of a Dorset market town in the mid-19th century, and The Manningtree Witches, from poet A. K. Blakemore, which plunges readers into the fever of the English witch trials of the 17th century.

Self-discovery emerges as a theme; in A Ghost in the Throat, a fluid hybrid of essay and autofiction, Doireann Ní Ghríofa tells a tale about finding your voice by freeing another’s. Castles from Cobwebs, by University of York lecturer J.A. Mensah, follows a foundling’s transition from innocence to understanding as she is called to Accra after the sudden death of her biological mother, while Naoise Dolan explores the experience of a young woman leaving her home in Ireland in Exciting Times. Writer and photographer Caleb Azumah Nelson provides an insight into race and masculinity in the love story Open Water, while voice actor and performing member of two theatre companies, Paul Mendez, explores race, class, sexuality, freedom and religion across generations, time and cultures in Rainbow Milk.

How We Are Translated, by bookseller and activist Jessica Gaitán Johannesson, questions identity through an exploration of language. Similarly, The Liar’s Dictionary, by Royal Holloway lecturer Eley Williams, follows a character who aims to discover the secret to living a meaningful life through words. 

Rebecca Watson, Assistant Arts Editor at the Financial Times, rounds out the list with little scratch, which tells the story of a day in the life of an unnamed woman processing recent sexual violence.

Peggy Hughes, Programme Director at the National Centre for Writing, said: 

“We’re delighted to announce a longlist that asks questions of us, with this year’s debut novels exploring themes of self-discovery and language, as well as the nuances of British history and culture through the lens of female and Black experience. We’re looking forward to hearing Lisa, Chitra and Simon’s thoughts on these captivating and thought-provoking debuts.”

This year’s chair of judges, and winner of the 2016 Desmond Elliott Prize, Lisa McInerney, said:

“It is a personal delight to chair the judging panel of the Desmond Elliott Prize five years after Iain Pears, Sam Baker and Katy Guest chose The Glorious Heresies as their winner. So we can keep literature in rude health, a writer who finds success should never pull the ladder up after herself, and this is one way for me to hold that ladder for emerging writers, to pass on the welcome and encouragement and assistance I’ve been so lucky to get from my peers. This is why I was so pleased to hear of the inclusion of a programme of support from the National Centre for Writing — what a positive and important expansion to the prize. I can’t wait to see what’s in store for Chitra, Simon and I.”

McInerney will be joined by journalist and author Chitra Ramaswamy and book reviewer and broadcaster Simon Savidge. They are together tasked with deciding which novel to crown as the best debut of the last 12 months. A shortlist will be announced on 1st June and the winner will be announced on 1st July.

The Desmond Elliott Prize is run by the NCW as the flagship in its Early Career Awards portfolio. This also includes the UEA New Forms Award, worth £4,000, for an innovative and daring new voice in fiction and The Laura Kinsella Fellowship, also worth £4,000, which recognises an exceptional writer who has experienced limiting circumstances or whose voice has been underrepresented in mainstream literary fiction. The winners of all three awards will be announced on 1st July, and all will benefit from a tailored programme of support from the National Centre for Writing, supported by Arts Council England. 

Riot x Fane

Fane Productions has appointed Riot Communications to lead its PR efforts. The production company has been an exciting challenger in the live events space in recent years, working with a variety of talent, many in the publishing space, to produce high-profile and high-quality live shows. In the past 6 months, Fane successfully launched a powerful online events arm, already boasting over half a million visitors to their site a month, and 60,000 new online subscribers, many of whom have never attended a literary event before.

Working with Riot, Fane will showcase the organisation’s capability to work with publishers and talent of all sizes in a mutually beneficial way, continuing to deliver exciting and engaging events to a broad audience.

Preena Gadher, Riot MD, said: “Live events has had a radical shake-up since COVID-19 and I have been very impressed with how Fane, already known for delivering polished events, reacted and adapted to meet the challenges of the new world. To me, that shows great leadership and tenacity, and a business with its finger clearly on the pulse. That makes Fane an exciting client to partner with.”

Alex Fane, Founder and MD of Fane, commented: “We’re delighted to be working with Riot on the next chapter for Fane. They delivered a vision that was both challenging and innovative which fits perfectly with how we run the business. Having become an independent company and launched our online programme there is a huge amount to be talking about and we can’t wait to get started.”